‘Sinners’: Ryan Coogler Bold Horror Pivot is a Masterclass in the Art of the Mid-Movie Switch Some horror films ease into their fear. Others grab you by the collar from the first frame. But Sinners, Ryan Coogler’s latest directorial venture, does something far rarer—it flips the entire genre halfway through, turning what begins as a … Continue reading ‘Sinners’: Ryan Coogler Bold Horror Pivot is a Masterclass in the Art of the Mid-Movie Switch